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Qu'est-ce (qui) est Yamanba (Noh play) - définition
![Kanze]] school](https://commons.wikimedia.org/wiki/Special:FilePath/KANZE Sakon Ataka.jpg?width=200 "Kanze]] school")
, Edo period, 18th century, bamboo and chrysanthemum design on red and white checkered ground - Tokyo National Museum - DSC06159.JPG?width=200 "''Karaori'' garment, Edo period, 18th century, bamboo and chrysanthemum design on red and white checkered ground")
 e spirito ubriaco (himi muneda, XIX sec.).JPG?width=200 "''Nō'' masks. Right: Drunken spirit (''shōjō''). Made of red and black lacquered wood, with red silk tying cord, by Himi Munetada (氷見宗忠). Edo period, 19th century. Left: Nakizo, representing a female deity or woman of high rank, associated with Nō plays such as Hagoromo and Ohara Miyuki. Made of lacquered and painted wood by Norinari (憲成), designed by Zoami (増阿弥). 18th–19th century.")
![In the Noh Theatre, 1891 by [[Ogata Gekkō]]](https://commons.wikimedia.org/wiki/Special:FilePath/Nogaku-In-the Noh-Theatre-by-Ogata-Gekko-1891.png?width=200 "In the Noh Theatre, 1891 by [[Ogata Gekkō]]")
![''Hayashi-kata'' (noh musicians). Left to right: ''[[taiko]]'', ''[[ōtsuzumi]]'' (hip drum), ''[[kotsuzumi]]'' (shoulder drum), ''[[flute]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Noh-Hayashi.png?width=200 "''Hayashi-kata'' (noh musicians). Left to right: ''[[taiko]]'', ''[[ōtsuzumi]]'' (hip drum), ''[[kotsuzumi]]'' (shoulder drum), ''[[flute]]''")
![Miyajima]]](https://commons.wikimedia.org/wiki/Special:FilePath/Noh stage Miyajima Sep2008.jpg?width=200 "Miyajima]]")
![New Year's Day]]](https://commons.wikimedia.org/wiki/Special:FilePath/春日神社ー篠山ー翁奉納P1011774.jpg?width=200 "New Year's Day]]")
![Noh Costume (''[[Kariginu]]'') with Checks and Conch Shells. Edo period, 18th century, [[Tokyo National Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/能衣装 狩衣 紺地石畳法螺貝模様, Noh Costume (Kariginu) with Checks and Conch Shells.jpg?width=200 "Noh Costume (''[[Kariginu]]'') with Checks and Conch Shells. Edo period, 18th century, [[Tokyo National Museum]]")
![Important Cultural Property]].](https://commons.wikimedia.org/wiki/Special:FilePath/Noh Mask Hannya type.jpg?width=200 "Important Cultural Property]].")
, Tokyo National Museum C-1530.jpg?width=200 "Noh mask of the ''akobujō'' type. 16th or 17th century. Deemed Important Cultural Property.")
, Tokyo National Museum.jpg?width=200 "Noh mask of the ''ayahashi'' type. 17th century. Deemed Important Cultural Property.")
, Tokyo National Museum C-1560.jpg?width=200 "Noh mask of the ''chorei-beshimi'' type. 17th century. Deemed Important Cultural Property.")
, Tokyo National Museum C-1528.jpg?width=200 "hakushiki-jō}} type. 15th century. Deemed Important Cultural Property.")
, Tokyo National Museum C-1535.jpg?width=200 "Noh mask of the ''shōjō'' type. 15th or 16th century. Deemed Important Cultural Property.")
, Tokyo National Museum.jpg?width=200 "Noh mask of the ''shikami'' type. 17th or 18th century.")
, Tokyo National Museum C-1559.jpg?width=200 "Noh mask of the ''uba'' type. 16th century. Deemed Important Cultural Property.")
, Tokyo National Museum.jpg?width=200 "wakaotoko}} type. 16th or 17th century.")
![[[Inro]]}} with Noh masks. (front and back) early 19th century.](https://commons.wikimedia.org/wiki/Special:FilePath/Inrō with Noh Masks.jpg?width=200 "[[Inro]]}} with Noh masks. (front and back) early 19th century.")
Wikipédia
Yamanba (山姥) is a frequently-performed Noh play of the fifth category attributed to Zeami Motokiyo. Its central character is the legendary mountain hag, Yama-uba.
A female dancer, called "Hyakuma Yamanba" because of her frequent performances of songs about the character, embarks on a pilgrimage to Zenkōji in Shinano Province, accompanied by her attendants.
While travelling north-east on the Koshi road, they arrive at the river boundary between Etchu Province and Echigo Province. The road beyond diverges in three directions, and they ask for directions from a local, who advises them that Agero Pass is far too steep for a litter, as it is "the path Amida himself takes as he descends to receive souls." The dancer decides that, as she is a pilgrim, it is fitting that she descend from her litter and proceed on foot, taking that very path.
They have not gone far when the sun sets unexpectedly, and they are offered lodgings by a mysterious old woman, who, after they accept, demands that the dancer perform the Yamanba song. The attendants are indignant, but become afraid when they realise she is a supernatural being.
Suddenly the darkness vanishes, and it is once again the middle of day. They meet the same local man, who tells them tall tales of the origin of Yama-uba. On his departure, the dancer dares not refuse Yama-uba's request — but it is the crone herself who performs the long dance which ends the play.
